Sunday, December 30, 2018

new best movie 2.0 Hindi movie


new best movie 2.0 Hindi movie 
https://www.youtube.com/watch?v=yJlT_OTNX9E
2.0 is a 2018 Indian Tamil-language science fiction action film[3][7] written and directed by S. Shankar. Produced by Subaskaran under the banner of Lyca Productions. As the second installment in the Enthiran franchise, 2.0 is a standalone sequel to Enthiran (2010), featuring Rajinikanth reprising the roles of Vaseegaran and Chitti, alongside Akshay Kumar and Amy Jackson. Sudhanshu Pandey, Adil Hussain, Kalabhavan Shajohn, and K. Ganesh appear in supporting roles. The film follows the conflict between Chitti, the once dismantled humanoid robot, and Pakshi Rajan, an ornithologist who seeks vengeance on cell phone users to prevent avian population decline. The soundtrack is composed by A. R. Rahman, with lyrics written by Madhan Karky and Na. Muthukumar.
Produced on an estimated budget of ₹543 crore (US$76 million), 2.0 is the most expensive Indian film to date. Production began in 2015, with principal photography conducted at AVM Studios later that year. The first schedule was filmed at EVP World. Scenes were primarily shot in India, particularly in Chennai's Madras Boat Club and Delhi's Jawaharlal Nehru Stadium. Filming was completed by August 2017. The film is the first in Indian cinema to be natively shot in 3D, which was done by cinematographer Nirav Shah. Legacy Effects made their return to construct prosthetic makeup and animatronics, with visual effects supervised by V. Srinivas Mohan. Editing was handled by Anthony and production design was conducted by T. Muthuraj.
2.0 was released worldwide in both 3D and conventional format on 29 November 2018, along with its dubbed versions in Hindi and Telugu. It received generally positive reviews upon release. Critics particularly praised the film's visual effects, performances of Rajinikanth and Kumar, and social message; the pace and screenplay received criticism. It earned ₹117.34 crore (US$16 million) worldwide on its first day, which was the second highest ever for an Indian film. The film crossed ₹520 crore (US$72 million) in its opening weekend to be the highest-grossing film worldwide for that week. 2.0 is the second highest grossing film in India and is the sixth highest-grossing Indian film worldwide.[8][9]

Plot

A man, surrounded by birds, hangs himself to death at a cell tower. Elsewhere, the scientist Vaseegaran introduces Nila, his new humanoid robot, to a group of students. A little later, a student's smartphone starts flying all on a sudden, exhibiting avian characteristics. Before long, cell phones all over Chennai begin to fly away, leaving the city in chaos. At an emergency council meeting initiated by the government, Vaseegaran enunciates that it is beyond conventional science to fight what he considers a fifth force, and proposes reinstating Chitti, which was dismantled in 2010. But Dhinendra Bohra, who lost his father, Professor Bohra, to Chitti's anger,[a] opposes, and the council decides to seek help from the military, thereby vetoing Vaseegaran's proposal. However, the military is attacked by a swarm of mobile phones.
The growing stream of cell phones leave havoc in its path, killing a mobile phone wholesaler Jayanth Kumar, a transmission tower owner Manoj Lulla and the state's telecom minister Vaira Moorthy. To prevent further damage, S. Vijay Kumar, the Home Minister, unofficially gives Vaseegaran permission to rebuild Chitti. Chitti traces the mobile phones, which have taken the form of a giant crow, and they fight, during which Chitti's battery power is depleted and it starts searching for a power source amongst three huge signal transmitters. To Chitti's surprise, the crow is unable to penetrate the field of transmitters and suffers damage while attempting to do so.
Vaseegaran then learns from Chitti that the bird is powered by the aura of a human being, which exudes negative energy. The radiation from the antennae of such signal transmitters and auras of other living organisms are positively charged while those of the dead are negatively charged, allowing the parabolic transmitters to repel the bird. Had it entered the electromagnetic field produced by the transmitters, the radiation from the antennae would neutralise the bird, preventing it from reassembling. With this in mind, Vaseegaran replicates a smaller version of those transmitters and sets off to an abandoned house in Tirukalukundram with Chitti and Nila to destroy the bird. When the neutralisation is about 50 percent complete, the bird weakens and then reassembles into a humanoid entity that calls itself Pakshi Rajan.
Pakshi Rajan used to be an ornithologist who owned the now abandoned house where birds would come and live with him. Gradually, high-frequency radiation from the newly set up cell towers start killing the birds due to the rapid growth of mobile phone industries. Pakshi then visits Jayanth Kumar, Ranjit Lulla and the telecom minister in order to request them to stop their unjust and unlawful activities but in vain. He also organises conferences and protests against the exorbitant use of cell phones for the favour of birds, yet no one supports him. Ultimately, all his birds die, and a distraught Pakshi Rajan hangs himself to death from a cell tower. His life energy, along with that of numerous dead birds, combine together to form an aura that manipulates mobile phones into any form through electromagnetic radiation.
Chitti empathises with Pakshi, but asserts that he should not kill people. Pakshi Rajan declines, and attacks him. Chitti reactivates the transmitters and neutralises Pakshi, storing his energy in a containment circuit. This feat helps Vaseegaran's cause and the Home Minister legalises Chitti. He also orders that robots like Chitti be made for the Indian Army. Jealous of Chitti's resurgence, Dhinendra sneaks into the Artificial Intelligence Research and Development (AIRD) Institute and frees Pakshi's aura from the containment circuit. The aura enters Vaseegaran, enabling Pakshi Rajan to possess his body and attack humans. Chitti hesitates to kill him, as it would mean killing Vaseegaran too. Taking advantage of this, Pakshi disassembles Chitti.
Nila takes Chitti back to the lab and rebuilds its body, replacing its microchip with the red chip created by Bohra,[a] which results in Chitti's violent configuration, version 2.0, being in control. Nila constrains it from harming anyone but Pakshi Rajan. Chitti then creates more versions of its likeness. Meanwhile, Pakshi takes over a crowded football stadium and exposes Dhinendra to radiation from the nearby cell towers, incinerating and killing him. Chitti, along with its army of robots, arrives and confronts him, resulting in a battle between the two. However, its battery drains, and it rushes to the nearest power station. During this time, microbots resembling Chitti, called as Kutti version 3.0, arrive mounted on white pigeons and confront Pakshi Rajan, who can not kill the spectators now as it would mean that the pigeons would also get killed. At one point Pakshi's aura leaves Vaseegaran's body. The microbots then lead his aura to the signal transmission site, where Pakshi Rajan is eliminated. Vaseegaran recovers in hospital and tells Vijay Kumar, who comes to see him, that he feels Pakshi Rajan was a virtuous person who became a victim of the corrupt society. He also suggests that everyone should limit the use of phones, and conserve the lives of birds as much as possible. Chitti, now restored to its inceptive version, begins a relationship with Nila, to which Vaseegaran gives his consent.
In a mid-credits scene, Sana asks Vaseegaran over the phone about the probability of mobile phones flying again. Immediately, Vaseegaran's mobile flies out of his hand and morphs into Kutti 3.0, saying, "I am your grandson".

Cast

Dr. Vaseegaran is a scientist who created a sophisticated robot in his likeness with a desire to commission it into the Indian Army. He introduced the robot as Chitti. Chitti is an advanced "andro-humanoid" robot. It was designed with a speed capacity of 1 Terahertz (Hz) and a memory capacity of 1 Zettabyte. Previously,[a] it fell in love with Vaseegaran's fiancée, Sana and deliberately failed an evaluation conducted by the Indian Army. Greatly enraged by its actions, Vaseegaran literally chopped Chitti into pieces and had it thrown down a garbage disposal site. It was eventually rediscovered by Dr. Bohra who upgraded it to version 2.0 and converted it into a ruthless killing machine. However, Vaseegaran managed to defeat and stop Chitti. Since it caused so much damage and destruction to the nation, it was de-activated and dismantled by order of the court. After its reactivation in this film, Chitti, in its reloaded version 2.0, creates the microbot Kutty version 3.0, which can transform into a mobile phone.
An ornithologist who operated a bird sanctuary, Pakshi Rajan protests excessive use of mobile phones fearing that high-frequency electromagnetic radiation from cell sites is threatening avian life. He reports it to Jayanth, the telecommunications minister, and Ranjit, but they disregard the matter intentionally. Deeply frustrated, Pakshi hangs himself to death from a cell tower. Now his aura, combined with the negative energy of deceased birds, can control cell phones with electromagnetic radiation, which happens to be considered a fifth force. Pakshi's Tamil and Telugu voice is dubbed by Jayaprakash.[11]
A domestic and feminine humanoid robot created by Vaseegaran, whose name is a contraction of "Nice, Intelligent, Lovely Assistant". This robot is meant to be a friend, helper, and caretaker. It can drive, perform forensic analysis, jump walls and disable electronic alarms. Later, it falls in love with Chitti. Nila's Tamil and Telugu voice is dubbed by Raveena Ravi.[12]
A scientist and the son of Dr. Bohra,[a] who was once killed by Chitti. After his father's death, Dhina assumes the robot to be Vaseegaran's alter-ego and wishes to take revenge on him. He happens to be the first person to voice against the reinstatement of Chitti in the government meeting. Later, he also becomes jealous of Chitti's resurgence and, sneaking into the AIRD Institute, he frees Pakshi's aura from the containment circuit.
The Home Minister who gives unofficial permission to Vaseegaran for Chitti's reactivation.

Production

Development


2.0's cast and crew including actors Rajinikanth, Akshay Kumar, Amy Jackson, director S. Shankar, producer Allirajah Subaskaran and music director A. R. Rahman.
The commercial success of Enthiran (2010) prompted the makers of the film to immediately consider making a sequel. By March 2011, the original film's cinematographer, Rathnavelu, revealed that initial pre-production work on a sequel had begun with the same technical team.[16][17] S. Shankar, the director of Enthiran, moved on to work on Nanban (2012) and I (2015) and planned to reunite with the same producers as the original was released, with Shankar revealing that he was unsure if the film "will happen at all" during an interview in 2014.[18] While finishing the production of I, Shankar drafted the scripts of three more feature films, including a sequel to Enthiran.[18]
Pre-production work for the film had reportedly started in June 2015 with Lyca Productions deciding to finance the project. Along with Shankar and Rajinikanth, composer A. R. Rahman and editor Anthony remained on the development team for the sequel, while Jeyamohanwas added to write the screenplay. Shankar also began briefing the film's art director T. Muthuraj and visual effects supervisor V. Srinivas Mohan about their involvement in the film.[19][20] Shankar had initially inquired about K. V. Anand's availability. This was before Nirav Shahjoined the technical team as a cinematographer in mid-2015 and visited specialist studios in the United States to research filming methods for 3D shoots.[21][22][23]
Jeyamohan finished work on the script of the film in September 2015 and revealed that the story would be a direct continuation of the 2010 film, with filming only set to start following the completion of Rajinikanth's commitments in Kabali (2016). The original film's screenplay writer, Madhan Karky, helped Jeyamohan on some of the more technical dialogue in the script.[24][25] While the film does include characters and references to events from its predecessor, it is primarily a standalone sequel.[26] A press release coinciding with the start of the film's shoot also revealed that Resul Pookutty would handle sound designing, Legacy Effectswould take care of animatronics work, and Mary E. Vogt would design special costumes. Stunt choreographer Kenny Bates and visual effects specialists John Hughes and Walt Jones were also signed to work on the film.[27] Unadjusted for inflation, 2.0 is so far the most expensive Indian film.[5]

Casting


Amy Jackson plays Nila, a feminine humanoid robot.
Shankar held initial discussions with Kamal Haasan, Aamir Khan, and then Vikram about portraying a further role, though none of the three actors signed on to appear in the film.[28][29] Subsequently, the team held talks with Hollywood actor Arnold Schwarzenegger for the role, who agreed to work on the film for a record remuneration.[30][31][32] The makers then opted against signing Schwarzenegger, though there have been conflicting reasons regarding this decision.[b] British actress Amy Jackson signed on to work on the film in October 2015 and visited Los Angeles as a part of the team's pre-production work.[35] In late November 2015, Rajinikanth also travelled to Los Angeles to meet the film's producers and complete costume trials and initial motion capture effects work for the film.[36][37] After further negotiations with actors including Hrithik Roshan and Neil Nitin Mukesh, the makers signed on Akshay Kumar to portray the role for which Schwarzenegger was initially considered.[38]
Sudhanshu Pandey joined the cast of the film during March 2016 and revealed that he would portray a scientist who is the son of Professor Bohra from the original film. Adil Hussain began working on the film in July 2016, and, as a part of his role, undertook extensive research into the life of news reporters.[39] In September 2016, Malayalam actor Kalabhavan Shajohn confirmed that he had tried out for a role in the film after Shankar was impressed with his performance in Drishyam and had signed him on.[15]

Filming


The Jawaharlal Nehru Stadium in New Delhi, where a battle scene during a football tournament was filmed.
An official launch event was to be held on 12 December 2015, coinciding with Rajinikanth's birthday. However, the team chose to avoid publicity as a result of the 2015 South Indian floods.[40] Instead, the team held a low key launch event at the AVM Studios on 7 December, with the director and the producers in attendance. Titled 2.0, the film then began its first scheduled shooting on 16 December 2015 at a set erected in the outskirts of Chennai at EVP World.[41][42] On the first day of the shoot, a scene featuring Rajinikanth and several dwarf actors was shot at the erected set, while the team's principal cast and crew also assembled for a photo shoot.[43] The first schedule of the film, consisting of Rajinikanth and Amy Jackson, continued in Chennai until 30 December 2015.[44] The team then worked on a second schedule throughout the middle of January 2016 in Chennai and shot scenes featuring Rajinikanth at Mohan Studios and by Madras Boat Club.[45]Shankar continued filming portions not involving the lead actors throughout February 2016 in Chennai, with a car chase sequence shot in Royapettah.[46] Another schedule to shoot a song was initially set to be held at Salar de Uyuni in Bolivia but was canceled due to bad weather, and the team opted not to travel to the country.[47]
Akshay began shooting for the film in Chennai at the beginning of March 2016 and took part in a schedule held at the EVP Film City studio in Chennai. A set of a mobile phone store was built on site, while night scenes involving robotic equipment and military tanks were also canned.[48] The team subsequently moved to Delhi in order to hold a forty-five-day schedule, continuing on from the same scenes with military tanks that were shot in Chennai.[49] Subsequently, the team filmed sequences at Jawaharlal Nehru Stadium depicting an Indian Super League match between Chennaiyin FC and Mumbai City FC, with hundreds of junior artists recruited to act as supporters. Actors Amitabh Bachchan and Abhishek Bachchan visited the film's set at the stadium with the media reporting that the pair were set to make cameo appearances, though the claim was later denied by the team.[50][51] Rajinikanth then joined the team in Delhi at the end of March to continue shooting for the project, with the climax sequences being filmed. Action scenes incorporating robotic equipment were filmed throughout early April in Delhi, with cinematographer Nirav Shah using helicams to capture sequences involving the three lead actors.[52][53]
Another ten-day schedule took place in May 2016 in Chennai, with scenes being shot at the EVP Film City studios as well as at The Forum Vijaya shopping mall.[54] During the shoot at the studios, the visual effects designer Srinivas Mohan digitally converted a green screen sequence into locations including the Red Fort and the Parliament from Delhi after the team were unable to secure shooting permission there.[55] By June 2016, Shankar revealed that after one hundred days of shooting, scenes including the climax and two major action sequences had been completed and that the film was fifty per cent complete.[56] Adil Hussain and Kalabhavan Shajohn began their work in the film during July 2016 in Chennai, while the rest of the cast were given an extended break after Rajinikanth fell ill.[57][58] Production continued throughout August and early September 2016 without the lead actors in Saligramam in Chennai, where the team shot action sequences of luxury cars being blown up.[59] Following his illness and subsequent recovery, Rajinikanth returned to the sets of the film in early October after a break of close to four months. He shot for scenes alongside Amy Jackson in Chennai, where he was featured fighting huge birds created using animatronic technology with actor Riyaz Khan also joining the cast. Soon after the schedule finished in early October, Shankar revealed that the film was two-thirds complete, following one hundred and fifty days of shooting.[60][61]
Another schedule began in early November at EVP Film City in Chennai with all of the lead cast and continued throughout the month.[62] All filming was completed except for one song that featured a set erected in Chennai. Jackson was given ten days of practice by choreographer Bosco. Filming was completed in August 2017.[63][64][65] Principal photography was concluded on 22 October 2017.[66]

Music

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